Thursday, June 12, 2014

Unit 54, Task 4 - Review

Planning

In my head, the Poster/CD Cover ect would have the backdrop of the Victorian Village, so I took a couple stills of the chimneys surrounding the area, which I used for the actual poster. I had pre planned for the poster to show Tobias in the foreground and Miss Stone somewhere behind, both facial expressions will be mysterious; Tobias would be more agitated and Miss Stone would seem confident and suspicious.

(Poster is too large to be placed into this blog post)

Time

Photoshop is not my strong point. Producing the Poster, DVD sleeve and CD cover took alot of attempts, as I did not understand alot of the tools of Photoshop. Luke helped me greatly through alot of things and I managed to get it done because of him. I was happy with my final product, even though I could of done alot better if I knew more about the tools of photoshop. Tutorials on tools helped also.

This was my first time using Photoshop, therfor I had no experience beforehand. My end product seems basic, and standard, but my skill is developing. I would not say I have mastered photoshop yet.

Problem Solving

Sizes of the images needed was a struggle for me, as well as other things. Luke helped me understand which sizes to use for what, but I still dont completely understand. I used basic tools that seemed easy enough to use, although one tool - used to crop out unnessicary background from strands of hair - took a while to complete, and was very time consuming. There was probably a better and faster way around this method, but I followed the tutorial and was happy with the object it produced.

Appropriate for the Audience?

Anaesthetic's BBFC was labelled 15, as it contained the use and mention of drugs. This wouldnt be too acceptable for those as young as 12. 15 rated works are not suitable for those under that age, at 15; drug taking may be shown, but the film must not promote or encourage the drugs being used (e.g misuse).

Product Management

We worked hard to create the poster that fitted the era, I changed my design quite a few times but I ended up picking a design I and the rest of the team liked.

Areas of Improvement

Better knowlage of photoshop. I need to look over more tutorials so I get a better understanding of the tools, both basic and difficult.

Technical Competencies

The sizes/resolution for images confused me, I would need a much better understanding of these before I create more

Technical Qualities

I have learned quite a few things, and even improved on some tools that I used. How to use layers, and how they work. Colour Correction of images, to make them seem vintage and set in the right time period, and how to create text and layer it over images efficiantly.

 

Production Editing - Task 1

This blog will cover how the group prepared for the editing of our video production 'Anaesthetic', covering the points such as striping and labelling the tapes, how the footage was captured and assessed, and how we organised our edit project to make the edit process easier.

Striping and Labelling a tape

For scanning to work, DV tapes should always be striped.

Striping (also known as blacking or formatting) makes sure correct times codes are placed when DV tools scan DV tapes. Striping will also cause DV tools to 'see' an empty frame between each seperate video recording. This allows for better recognition of individual clips or 'shots' in the capture gallery.

To stipe a tape, a new one must be placed into a camera. Disable audio recording and place the lens cap on the camera, and set the camera in record mode, recording the entire length of the tape. Once completed, the tape has been striped and ready for recording. If tapes are not striped, the 'Scan DV Tape' function in DV tools may not work correctly.


Setting up an Edit Project

Using the Adobe tools, we are able to set up our edit projects.


Adobe's editing software is Adobe Premier Pro CS6. We began by starting up the programme and clicking 'New Project'.


Video
Display Format: Timecode
 
Audio
Display Format: Audio Sample there is a drop down box "Milliseconds"
 
Capture
Capture Format: Selecting DV or a HDV (The project should be set on HDV)
 

Capturing Footage

It is possible to capture digital video from a live camera or from a tape: you record it from the source to the hard disk. Premier Pro captures video through a digital port, such as FireWire or SDI, installed on the computer. Premier Pro saves captured footage to the disk as files, and imports the files into projects as clips.
 
A. Status area B. Preview C. Tabs D. Panel menu E. Transport controls 
 
Specify Capture Settings
  1. With a project open, choose file > Capture and select the Settings tab.
  2. In the Capture Settings pane, click Edit.
  3. In the Capture Settings dialog box, select an option from the Capture Format menu
  4. Click OK
 
Set Capture Preferences
 
  1. Choose Edit > Preferences > Capture (Windows)
  2. Specify whether you want to cancel capture on dropped frames, report dropped frames, or generate a batch log file. This is an important step, as this can help with errors and blips in the project, and attempt to fix them.
  3. Specify whether to use device control timecode. If a device controlled is installled, Premier Pro can record the timecode supplied by the controlled instead of recording any timecode written to the source tape.
 
Select tracks for capture
 
  1. Open the Capture panel, select File > Capture.
  2. In the Capture panel, click the panel menu.
  3. Select Record Video, Record Audio, or Record Audio and Video, depending on the option desired. (The short film project needed both Audio and Video.)
 

Edit Decision List

An Edit Desicion List (EDL) is used in the post-production process of film editing and video editing. The list contains an ordered list of teel and timecode date representing where each video clip can be obtained in order to match the final cut.
 
My offline edit became a problem, since I had another version of Premier Pro at home, which meant that I couldnt open my offline edit at college. It was exported to a rough draft but with the lack of title and credits. It was watchable; the whole group struggled with the audio problems but using certain ambience we were able to fix most of it.
 

How footage was assessed

A few faults cropped up with Anaesthetic. For example, the Boom Pole managed to get into many frames, but we were able to place a cinemascope over this, which overall gave the edit a better look.
 
The audio was also out of place, sometimes the Boom Mic was too far away. Tampering with the audio levels in Premier and Audition meaned that we were able to save alot of it.
 
Colour Correction was also used to sort out issues of external shots. Some seemed too bright and unusable, but they were fixed.
 

Organising the Edit Project

Once the footage was captured, I placed the footage into folders designated for each scene. The only problem was that the clips were not labelled straight away, meaning it was slightly hard to find out which ones were which, we were able to label them later on.
 
A website with free downloadable sound helped alot with our project, we found sound effects and music. By placing these effects into seperate folders on the edit project, it made it much easier for us to find the right sound for clips.
 
 
 

Wednesday, June 11, 2014

Music Video Blog

This blog will cover our production on Your Body is a Wonderland.


Jamie - Director

Isobel - Production Designer
Tack - Production Manager
Liam - Sound Supervisor + Script Supervisor
Ryan - Director of Photography

Our first major task was to create a gripping pitch, on our ideas for the Music Video. We were given the option to create a music video for Kerrianne Covell, and  Elle Wood. We had meetings with both signers beforehand, to determine what they wanted from the Music Video. Of course, the video's purpose overall was supposed to promote their image, since they have not been given one yet. Both I and Isobel worked on Kerrianne's video, while Tack, Liam and Ryan worked on Elles. Kerrianne told us she was inspired by many singers from previous era's, and that she had an interest in the 50's era. Isobel and I both had the same idea of producing a video that was set in the 50's, using quirky outfits, and locations of interest.

 

"The idea is to have Kerrianne play herself; in a 50’s style era, visiting diners, beaches with friends. She slowly gains the attention of a boy, who seems to be following and keeping an eye on her.
Kerrianne however couldn't really care for the boy, and is much preferring to party with friends. The boy advances his attempts to get her attention throughout the video, and the more she teases and pushes him away, the more enthralled he becomes.

The video will switch between the key areas, like the diner and beach, we’ll add more places as/when we find them."

The pitch was completed, and showed in a meeting to Kelly, Kerrianne, and Nina (Head of makeup, who attended for both herself and Elle who was busy).

I think our idea gave alot of description, and a unique style, which was unlike others. It had a lot of versitility when it came to makeup and costume, something Nina was interested in, and it showed Kerrianne in a whole new light, which seemed to interest her greatly.

Kerrianne told us that she loved the idea, and overall, this one was picked to shoot.

Next was to think about costume more, Nina wanted to know what her students would be working on.

"Nothing has been set in stone, although ideas have been made. We can experiment with the makeup, hair and costume, depending on the ideas that we find on things such as Pinterest, Tumblr, and Facebook.
Depending on the location, the costume ideas can change to suit the vibe."


We had locations set out planned. The Diner, Kerrianne would portray a more 'bad girl' punk-type character. The beach would show Kerrianne as a girly, pastel colored teen that ate ice cream and held balloons. The garden/field would have her in a bright dress, having a picnic in the sun. Her friends would have the same costume throughout, to save time and money. The makeup would match the costume.



"Using something as unique as a different time period in a Music Video, I think that we will be able to create something that will be both aesthetically pleasing and easy to plan out.

Experimenting with these visuals will be everything. We have the chance to go wild with makeup, hair and costume that is influenced by the 50’s.

We want the video to be different, but not too over the top ‘artsy’. For instance, the official music video for Your Body is a Wonderland is focused on a stereotypical modern relationship of a boy who loves his girlfriend."





While working on this, Isobel planned on contacting our Diner. We wanted to see if we could film while it was closed, so we had more time and versitility to shoot. I planned a recce check for the field, which turned out badly since the grass was majorly high.

A Facebook Page was created for the group so we could easily contact others if we needed them.


The week of shooting was almost here. We said that we wouldnt be filming on our week off since we still had a few locations we needed to work out. Kerrianne's timetable for work was precise, and we're going to have to work around it carefully. We also need to sort out our actors, it seems easy to borrow some from Sonya's Drama group.

One the break, Isobel worked hard on contacting Kerrianne throughout the week. On the day we came back, the group focused on making sure all paperwork was done, Kerrianne informed us that Friday was the only day she can have off, her work would not let her swap shifts with other days.

Isobel informed us that the diner we were going to use would let us shoot our project on the Sunday, meaning we would not be able to shoot there. We began searching for other options for Diners. Tack focused on completing paperwork, I worked on matching the visuals we were thinking of, to the lyrics, (Storyboards, Shotlists, ect) as well as checking with the group for their input.

We tried around 3 different Diners, none could let us shoot on the Friday. We all agreed that it would be best to leave the Diner out, if we happened to find one last minute, we could just use smaller shots, just to get more of a 50's vibe.

We recruited Jack Harrison and Helen Wilson as actors. Jack playing the 'love interest' and Helen playing her friend.

Filming began on Friday, we agreed that the beach scene would be best shot at Saltburn. There, we can also get to Valley Gardens easily, and use those as the field scenes. We will not have time for the Modern scene we planned, nor the Diner. We had a last minute idea of using the Diner for a couple shots, but we wouldn't have time to use it.


Neil took us in the mini bus to Saltburn beach we arrived later than planned, since the minibus held the other group, who were to be taken to their destination first.I met my Dad, who previously agreed to meet me there to blow up some balloons with helium for us. While I did this, Isobel started walking to the Valley Gardens, to get a basic idea of where we were going to shoot.

While this happened, I assumed the rest of the group would go down and shoot establishing shots on the beach. Once I finished getting the balloons, I met up with Isobel to head down to the beach. Isobel found many great places to shoot. When we arrived, the Actors were told by the rest of the group to have a break, and the rest of the group told me they were waiting for me to start shooting. We began shooting once everyone was back, which took only a couple minutes.



Once started, the shots seemed to go very fast, and we managed to get a lot done. Tack and Liam filled in the diary reports while Isobel planned the next shots to do, Ryan held the camera and I instructed what I wanted the actors to be doing. Tack also helped pick out which parts of the storyboard we should do next, and Isobel had some great improvisation suggestions that we could shoot. The balloons flew away accidentally quite early on in the day, meaning we wouldn't of been able to film with them how we planned, but we managed to use it to our advantage by planning out other shots we could use instead of that. Ryan injured his leg by tripping on a rock at the beach half way through shooting, so I offered to take his place as cameraman, it gave the benefit of being more eye-level with Kerrianne since Ryan was taller.




We finished up on the beach at around 2. Both Jack and Helen needed to head home due to work, so the minibus came back to pick them up. We arrived had break and arrived at Valley Gardens at half two, where we began to shoot clips of Kerrianne singing.

Kerrianne loved the whole concept of the day, and she had no complaints about anything. She brightened up the set incredibly and it was great to work with her.

We finished at around 4/4:30, and my Dad was able to drop me, Kerrianne and Isobel off at our houses, while the rest of the group managed to get the train back safety.

I think we managed to capture enough footage to create something great, even if there were setbacks such as lack of location, and a fast paced schedule, we pulled together great and had a fun time doing it.

Editing came together perfectly. Everyone had a say in the edit and were pleased with the finished result.